In fiction, Despumation Press seeks to champion writing that explores the diverse themes metal customarily addresses using language in such a way as to evoke the feeling of listening to the music. In nonfiction, Despumation Press seeks essays on an assortment of unique and fascinating topics from within and around the metal ethos.
When I read your story out loud, I want to hear the metal. Trying to figure out how to structure your story? Listen to (a) song; use its rhythm and tempo to hammer out (a) plot and timing.
Are you at a place where the topic or action seems particularly “metal” to you? Read it out loud. What does it sound like? Are there some consonants that sound more pounding, or sharp, or burning, or stabbing? Are there some vowels that drone on, drag out? Use those words, but don’t sacrifice meaning. How about your setting? Does it evoke the plodding of the drums and bass? Does it look like the vocalist sounds?
I know, right? It’s harder than you thought it’d be.
This is what I’m looking for. Stories that celebrate a (metal)’s theme(s) and sound; stories that read like a live show. Stories that make the reader feel like they’ve just spent twelve hours with a warm beer in their hand, satisfyingly half-time nodding to the bowel-shaking pulse of a double bass, or like they’ve just crawled out of a pit and are wondering if maybe something is broken. It’ll be a challenge for the writer, but I think any writer would welcome it.
Length: 3,000-5,000 words
Payment: $10 + contributor copy
Submission Guidelines: http://despumationpress.com/submissions/